![]() “Vintage” prints are currently base-priced at twice (2x) the basic retail prices stated above. Images with fewer than three (3) prints remaining in the Archive will be priced higher. Please Note- The above outlined base retail prices assume a “Modern” or “pre-Vintage” print that has been rated as being in "Pristine" condition – i.e.- designated as being condition ten (10) – and for which there are three (3) or more prints of that specific image remaining in the Archive. To view a selection of prints from the Archive, itself, please visit the Silver Gelatin Print Gallery by clicking the image, below. To obtain detailed information regarding the availability and prices for any specific image to be delivered as a silver gelatin print from the Archive, please direct inquiries through the Contact page on this website. Conversely, any image on this site for which the title contains the year: 2004, or later, would definitely not be available as a silver gelatin print because Witherill discontinued using film sometime in 2003. For example, an image titled: Dune Form, Death Valley, 1974 indicates that particular image would have been originally shot in 1974 and as such, that image will be potentially available as a silver gelatin print. In order to determine whether or not any specific image is potentially available as a silver gelatin print, simply note that every image title contains a specific year date. If you are interested in purchasing archived silver gelatin prints made by Witherill, chances are good that the specific image you are interested in will be available through the Archive. For a detailed explanation about why Silver Gelatin Printing was discontinued after 2005, click here. Therefore, no silver gelatin prints were ever produced after 2005. And, beginning in 2006, he discontinued working in a traditional wet darkroom, altogether. Sometime during 2003, Witherill discontinued using film-based cameras. Those previously produced silver gelatin prints (both conventional enlargements and hybrid contact prints) remain available for purchase through the Archive. All prints maintained within the Archive (described in detail, below) were made exclusively by the photographer and each print was produced in a traditional wet darkroom, using conventional enlarging techniques (from 1970-1995) and a digital hybrid contact printing process (from 1995-2005). In 1773 French poets, painters, musicians and writers began to meet in a cabaret called Le Caveau on rue de Buci, where they composed and sang songs.Huntington Witherill Silver Gelatin Print Archiveįrom 1970 through 2005, Huntington Witherill produced – and continues to maintain – an extensive collection of silver gelatin prints collectively known as the "Silver Gelatin Print Archive”. Writers such as La Fontaine, Moliere and Jean Racine were known to frequent a cabaret called the Mouton Blanc on rue du Vieux-Colombier, and later the Croix de Lorraine on the modern rue Bourg-Tibourg. Cabarets were frequently used as meeting places for writers, actors, friends and artists. In the seventeenth century, a clearer distinction emerged when taverns were limited to selling wine, and later to serving roast meats. ![]() Early on, cabarets were considered better than taverns by the end of the sixteenth century, they were the preferred place to dine out. They were not particularly associated with entertainment even if musicians sometimes performed in both. They were distinguished from taverns because they served food as well as wine, the table was covered with a cloth, and the price was charged by the plate, not the mug. Cabarets had appeared in Paris by at least the late fifteenth century. This category has information, history and price guides to antique and vintage photographs and prints showing cabaret stars. A notable exception was Francisco Goya in his apparently bluntly truthful portraits of the Spanish royal family. Portraits have almost always been flattering, and painters who refused to flatter, such as William Hogarth, tended to find their work rejected. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. But portraits have always been more than just a record. ![]() Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Portraits / Portraiture Portraits / Portraiture.
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